BIO
Gaby Erickson is a Minneapolis-based fine artist, designer, and maker. In their work, they often consider the societal normalities that shape one's perceptions of self in society. They use various materials and techniques to convey these themes in their work. Their work maintains the relationship between fine craftsmanship and artistic concept.
Erickson holds a BFA in Fine Arts with an emphasis on Sculpture and a Minor in Art History from the Minneapolis College of Art and Design. They have worked as an airbrush artist and currently serves as a freelance artist. Erickson's work has been exhibited in several group exhibitions at Minneapolis College of Art and Design. (Minneapolis, MN)
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Artist Statement
In my practice, I work in many fabrication methods to further my exploration of materiality. I use techniques such as detailed sewing of patchwork, mathematically precise patterning, casting latex to develop form fitting masks, woodworking, and metalworking, to make strong long lasting hand crafted objects. When designing an artwork, I investigate the relationship between humans and unconventional objects. My work is informed by my research into societal norms and the art of contrarianism.
Historically, the way in which an individual went about socializing with others was strictly written. Stand up straight, dress with propriety, speak with mindfulness, but refrain from speaking your mind. Those who could not fit those expectations were ostracized. The current society still retains strict expectations of how an individual should act, look, or be. But in order to seem more accepting or modern those expectations are met with discretion, unbeknownst to the individual who is under judgment. Written and unwritten expectations burden those who cannot fit the rest of the standard mold.
If an individual approaches unfamiliarity in their daily routine, will it affect them throughout the day, or impact their life? Can one piece change an individual's perspective forever? Author Humphrey Neill defines the art of contrary thinking as: “training your mind to ruminate in directions opposite to general public opinions; but weigh your conclusions in the light of current events and current manifestations of human behavior.” One is encouraged to think for themself but must also consider all sides of the story. As I further my practice, I intend to pursue an exploration and analysis of human connection and how a meticulously chosen color, stitch, brushstroke, weld, or grain direction can influence an individual's perspective.
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